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Mel B on Sex, Drugs, Abuse & Her Epic Healing Journey



Melanie Brown aka Mel B has reigned supreme as the spiciest of her bandmates since bursting onto the entertainment scene as Scary Spice in 1996 with the group’s #1 hit Wannabe.

With her wild hair, piercings and a raucous personality to match, she instantly began making headlines, and she never stopped. Her tempestuous marriages and some romantic near misses, including her split from Eddie Murphy heard ‘round the world, have at times overshadowed her on-camera talent on hit shows like UK’s X Factor and America’s Got Talent.

For years, rumors swirled about drug use and a party girl image cultivated during her marriage to ex-husband Stephen Belafonte. What few knew was the house of horrors that existed behind closed doors that Melanie’s oldest daughter, nineteen-year-old Phoenix, and Melanie’s mother, Andrea, both attest to in great and excruciating detail in Melanie’s recently released memoir, Brutally Honest.

Brutally honest it is, as the outspoken girl from Leeds, England, with the heavy Yorkshire accent (her most charming quality) recalls everything from growing up of mixed-race heritage during a time when it was anything but the norm, to Spice Girls fame, drugs, bisexuality, and a ten year marriage that she claims was so abusive that it drove her to attempt suicide in 2014.

Four years after that horrific episode which left her with organ damage and a lot of bruised pride, Melanie slowly rebuilt her strength, finally filing for divorce from Belafonte in 2017. The two remain embroiled in a bitter legal battle, but Melanie takes solace in spreading her message about domestic abuse and domestic violence. Along with promoting her book, she is advocating for others who have experienced various forms of intimate or domestic partner abuse as a part of her daily work with UK’s Women’s Aid, along with motherhood and preparing to hit the road in 2019 with the Spice Girls.

After getting to know Melanie, I feel compelled to add that despite some reports associated with her recent fall and subsequent rib and hand injuries, she insists that she is now substance-free, and I believe her.

TME: How are your spirits these days?

Mel B: Obviously, I’m still on my healing path and it’s going to be an ongoing thing. Just taking care of myself, meditating, doing my reiki and eating well. I actually couldn’t be happier right now. I know there are more happier times to come, but right now I’m in a really good place and it’s taken me a long time to even get to this place, so I’m thankful.

TME: Let’s go back a bit so people can get the big picture. What did the Spice Girls fame and hysteria of the 1990s feel like at the nucleus of it, from the inside looking out?

Photo Credits: Courtesy of Melanie Brown/Hardie Grant Publishing

MB: It was tiring, but we really didn’t care because it was five girls together who all had each other, living our dream life. We were living in England, struggling financially, not having much to eat, convincing people to let us borrow their recording studios so that we could sit down and write and [record] our music. There was a phase of a couple of years where it was really, really tough.

When we got to release our first single, Wannabe, and we signed with a record company and got Simon Fuller involved to manage us, it was really good, happy times that all five of us had dreamt of, and we were actually living that life. We were traveling the world, singing, performing, dancing, writing music and making a movie. It was a really beautiful few years. Of course, we were tired, because we didn’t allow ourselves any time off. But we were in control of what we did and when we did it, and we knew that we had to soar through life like a big tornado and strike while the iron was hot.

TME: What do you feel you came into this life as Melanie Brown to learn?

MB: Well, I think the number one thing is that I come from a white mother and a black father. Back in the 1970s when they got together and had me, that was seen as something that wasn’t really done. They had a lot of things that they had to overcome in bringing me into the world and raising me in an area of England, four hours outside of London, where there weren’t any other mixed-race girls. That was one thing I had to find, was my own identity.

Apart from the likes of Neneh Cherry and maybe Tracy Chapman, there really wasn’t anybody that I could look up to where I felt like I belonged, or anyone who I felt like I even looked like. For me, it was all about creating a path where hopefully other mixed-race girls, and other mixed-race kids could actually follow. For example, I never had my hair braided. I always wore my hair out. I’m very opinionated, but for the right reasons; not just to cause a ruckus. I do believe that I am here, somewhat, to make it okay to be in the skin that you’re in and the color that you are.

TME: My next question was going to be, what are you here to teach? But I think you answered it.

MB: Yes, that is definitely a part of it, but I am here to learn, of course.  One thing that is an ongoing thread in my life since I’ve been very young, like two or three years old, is being very honest. Kids are very honest, and they’re not sidetracked by their surroundings. They say exactly what they feel. That’s one of my things that I stick by and swear by, which is being completely transparent and honest. It’s not to offend or intimidate anybody. It comes from a good place and I have good intentions, but it is an ongoing thread in my life.

TME: I always say that none of us are so fallible that we have nothing to teach, and even the wisest among us are also here to learn. We are all students, and we are all teachers.

MB: Sure. We can’t know everything, and knowledge is power. I wasn’t very educated when it comes to schooling or on paper. I’ve experienced more education through life’s experiences, through traveling, and through getting myself into certain situations, whether it be through work and dealing with contracts or from talking to the man down the street who’s waiting for his bus.


Photo Credits: Courtesy of Melanie Brown/Hardie Grant Publishing


TME: Obviously, the situation with your most recent ex, Stephen Belafonte is extremely contentious. But in general, how are you navigating co-parenting with three different fathers in the picture?

MB: My oldest is 19, so I had to do every other weekend and certain weekdays for eighteen years, and there’s a point where your fourteen or fifteen year old doesn’t want to go to her father and that’s a difficult task. I’ve never said a bad word about any of their fathers to my daughters. Angel’s eleven years old and she sees her dad (Eddie Murphy) on a regular basis. She’s actually going to his house next week to do the family Christmas card, which is really lovely. My seven-year-old, Madison, that’s all happening through the court, so that is kind of out of my hands.

One thing I do with all my three girls, is I make sure they know that they’re loved, and that they came from a place of a loving relationship. Even though they didn’t quite work out, and me and their dads didn’t stay together, they all know that they came from a lot of love. One thing that is mandatory is that I always make it a very exciting thing when I send them off to their fathers. Angel is different, because me and her dad don’t have any problems with each other. With Madison (Brown’s seven-year-old daughter with ex-husband, Stephen Belafonte), they take everything in, so I try to make it exciting for her, even though I obviously have huge issues with her father.

TME: Are you frightened for Madison when you send her off to see Stephen? Based on the abuse you’ve described in your book, aren’t you frightened for her to be around her father?

MB: I don’t think it’s fair for me to say that. All I can say is that I fought through the courts for her to have mandatory therapy every Saturday with a specialized therapist who is very aware of the situation. If there was anything for the therapist to be concerned about she would be able to flag it, based on the kind of intense therapy that she is doing with Madison. I have to trust and believe that if there was anything that I should be majorly concerned about, I’ve got a professional right there that can spot it before I do.

TME: I would imagine it took courage to keep a lot of these passages in the book. What was the hardest part, not just to write, but to keep in the final draft of the book?

MB: Everything that is out there now is pretty salacious, and I know it seems so random about the sex and the drugs. The physical and emotional abuse had already kind of been out there, whether it be just a journalist presuming or whether it be my ex getting a story out there somehow. I just wanted to make sure that I clarified and made my puzzle understandable. When you read my book, you do understand that certain things were due to coping mechanisms, which are very common with somebody that’s in an abusive relationship.

The book addresses things like why it took me so long to leave. It’s because you’re trapped, and you don’t have friends and family because you’ve been isolated due to how your abuser does things. That’s why in the back of my book, I put the 15 warning signs of what an abusive relationship looks like. Sometimes we don’t know until it is too late, and you’re heavily in it. In my book, I address an array of points and situations that hopefully make the reader understand everything that I’ve been through. There are certain things I did leave out due to legal reasons. I didn’t want it to be a legal war. I wanted my book to be more of an education and insight into what it looks like to be in an abusive relationship.

TME: You paint a picture of a wide range of abusive behaviors that you experienced.

MB: Right, because abuse isn’t just physical. It can be verbal, it can be emotional. It’s a broad spectrum. And usually an abuser doesn’t just do one type of abuse. They get you on every single level, eventually.

TME: I hear everything you’re saying, but here is the piece I don’t quite understand. From reading your book, I got the impression that even after everything that went on, your parents remained steadfast in their support of you as their child. I got the impression that at any time you could have flown home for refuge and you would have been met with open arms.

TME: No way. How could I do that? How could I book a flight when he had my credit cards and my phone? I’m not allowed to leave the house, I don’t have a front door key. I’m working 24 hours. I didn’t even have a holiday. And your every move is being monitored by your abuser. Every phone call, every text message.

TME: How about from work? Even a phone call from work?

MB: I wasn’t allowed to take my phone to work. And like I said, this doesn’t just happen overnight. They chip away at you, so you wind up going, “Oh, he took my phone because he wanted to get it fixed for me, or he’s going to put a new app on there.” It’s all done in a very controlling, obvious, yet un-obvious way. That’s the part that you don’t want to believe is happening.

You still want to believe that they love you. It’s like, “Oh, I’ll go see the accountant because you’re working today.” You think, “Oh, that’s really nice,” when they’re actually going behind your back taking your credit cards and changing the name on the accounts to their name. When you’re in an abusive relationship, everyone is isolated from you, and they’re scared to call you. They’re scared to get in contact with you, because they too have been verbally abused by your abuser. You end up walking around going, “Why hasn’t my mom called?” Or “Why is my friend being really strange with me?” You don’t really know why, but now looking back, I know exactly why.

TME: I get what you’re saying, but I know that I could literally go to my mother at any time. I could go to a police station and call her if I had to.

MB: How could I when I’m only allowed to be driven by him, or a driver that is one of his friends? And all I did was work-come home; work-come home.

TME: It’s good to gain this deeper understanding from you, because people will think, she’s not your average Jane. She has all the resources in the world.

MB: It’s like having everything and nothing. And on the flip side, you’re not ready to admit anything to anyone else. If I were to call my mom up and say, “Mom, I’m being abused,” she’ll go, “What?!” You don’t want to admit to anybody and have to explain, because there is an element of no one’s going to believe you, which is what the abuser will put into your head, “No one’s going to believe you. You’re just fat and ugly. If you leave, I’m going to expose you on this level and that level. And even if you said anything to anybody, no one’s going to believe you because you’re full of shit,” kind of thing.

TME: Your self-esteem is in the gutter and you stop believing in yourself. It becomes a mental prison, is what you’re saying.

MB: When I was at work, I did believe in myself, because he couldn’t get to me at work. Nobody wanted to see him. They wanted to see me on camera. I’m very experienced and I’m very confident in what I say, so that was actually my savior, going to work. It was coming home that I dreaded, because I didn’t know what I was going to be experiencing that night.

Photo Credits: Courtesy of Melanie Brown/Hardie Grant Publishing

TME: You spent a decade walking on eggshells.

MB: Yeah, basically. Having spoken to a lot of these women who are in [shelters], and that are essentially in hiding from their abuser, they have exactly the same story that I have. They’re controlled, they’re captured, they’re abused on many different levels, they’re embarrassed and ashamed, and they don’t want anyone to know.

TME: Your oldest daughter, Phoenix, who is nineteen, is obviously old enough to understand the full scope of the situation.  I am assuming she read your book cover to cover…

MB: Oh yeah. She is the one who pushed me to write it, along with my friend who wrote it with me, Louise Gannon, because this story is bigger than just me. I’m just a voice that happens to be yelling about it right now. It happens to many hundreds of thousands of women, and men. It doesn’t matter if you have no money, or if you live in a mansion with servants. It can happen to anyone. When you’re in this situation, you think it’s only happening to you. It’s only when you get out and get to safety that you realize how bad this relationship was, how wrong it was. These abusers, they’re very smart and you don’t find them, they find you. They find women like me, who were in a vulnerable situation, and they latch onto you like Prince Charming, making you believe they are going to give you everything you need.


Photo Credits: Courtesy of Melanie Brown/Hardie Grant Publishing

TME: My takeaway from your book was, do not go into a new relationship when you are feeling depleted, because you’re likely not going to make empowering choices.

MB: But sometimes you may think that you’re over your ex, or you’re over the drama of having a baby with somebody and then breaking up; you think that you do feel fine. Sometimes it’s the kind of thing where you say, “I’m just going to smile, because the more I smile, the more I feel good.” And you’re thinking that you do feel good. There is no set time as to when you definitely feel at your most confident, or your vulnerability is gone. We’re women. We’re always going to have that little bit of self-doubt or that moment where before our period we feel a bit bloated and a bit frumpy. Women are very emotional, so there’s no set rule as to whether an abuser can come into your life. They don’t show up and go, “I’m an abuser. I’m going to do this and that to you.” No. They gaslight you. They make you feel like a princess one day, and then they make you feel like you’re a fat, ugly, unworthy cow the next day. And like I said, they find you, you don’t find them.

TME: As a parent, knowing how difficult certain conversations can be between parent and child, I have to ask, how do you have a conversation with your teenage daughter about some of the more explicit things in your book? In your book, you’re talking about cocaine use, about threesomes and Phoenix read all of this. What does that conversation even look like?

MB: It’s not like I said, “Let’s sit down and talk about cocaine.”

TME: But Melanie, how could that stuff not come up?

MB: I’m very, very open. I sit down with her and have a conversation with her in a way that’s relatable and understandable. I’ll let her know that if she wants to be sexually active or if she is sexually active, number one is to be safe. And if you want to experiment with a girl, or if you want to experiment with, let’s say, a threesome, make sure it’s consensual and make sure you actually feel safe. It is a conversation that you need to have. I’ll always say to her, “Why do you want to do this?” and “If you do that, how do you think it’s going to make you feel?”

Because you never want to encourage your kids to go out there and try everything and anything; there’s always a reason. Some kids, they don’t need to try that kind of stuff. They don’t need to try anything sexually, apart from just to be with one person. They may not need to try lots of drugs, even though their friends [are doing it] or they’re around it. Luckily, I’ve got a good, solid nineteen-year-old that has seen a lot and been around a lot. She knows, morally, what she feels comfortable with, and her morals are solid. She isn’t one of those teenagers running around, up to no good.

TME: She didn’t express any disappointment, that you, her role model, fell from grace in terms of the drug use?

MB: No, if anything I’m a hero that got out alive and I’m eloquent enough to be able to speak about my story without too much pain in my voice, even though there is a lot of pain. She’s very proud of me. She’s encouraging me to talk more about it. That is why she, along with my mother, wrote a passage in the book.

TME: Are you clean and sober today?

MB: Yeah. I haven’t taken a drug since the day I left him (ex-husband, Stephen Belafonte). What you’ll find in these abusive relationships is that the abuser is the one that provides you with all your alcohol and all your drugs. I’ve never had an addictive personality. I’m addicted to loving life, but that’s about it.

TME: In a recent interview your daughter Phoenix gave about your marriage to Stephen, she describes walking halfway up the stairs one night and witnessing a rape in progress, and then running back downstairs to her room.

Photo Credits: Courtesy of Melanie Brown/Hardie Grant Publishing

MB: I’ve always had houses where my bedroom is at the top of the house away from the family rooms, the kids’ rooms, everything. I guess one time she snuck up[stairs] because she heard me screaming or crying. She jutted the door open a little bit and she witnessed that, which I didn’t even know she’d witnessed until after I’d left him two years ago and started writing the book. She was adamant about that story going in the book. That story didn’t go in the book, but it actually went into an interview that she did, and she was adamant to talk about it. I did say to her at the time, “Are you sure about that?” She said, “Well, yeah mom, it’s important, because when you’re in an abusive relationship mom it doesn’t just effect you. It effects your kids, your friends and your family.” She said, “I want to talk about it.”

TME: Do you pray? And who or what do you pray to?

MB: I meditate. I became a reiki master at nineteen. I’m all about affirmations and meditation, and just being mindful and thoughtful. I do go to church. I go to the Agape Church which is very spiritual. I go there two or three times a month with my kids, and it’s very uplifting.

TME: Why make a public declaration that Eddie Murphy is the love of your life?

MB: It wasn’t really a public declaration. Don’t forget that when I started writing the book with my friend, there was no contract between me and my friend, there was no book publishing deal; there was nothing. I was writing it for self-healing; just for me kind of a thing. The more we researched, the more we learned that it didn’t just happen to me. It happened to many, many women, and we realized we needed to get this story out. We decided to delve deeply into all of the issues that people don’t talk about. I’m very much a source of information when it comes to coercive behavior and abuse, because I’ve lived it for ten years.

TME: But what was the connection to speaking about how you still feel about Eddie?

MB: Oh yeah, back to that (laughs)! One of the parts of the book that my friend couldn’t quite piece together was… why was I at my most vulnerable when my abuser came into my life. I’d just had Angel. She was two months old and then the monster came into my life. My friend and co-writer, Louise, was trying to figure out why I was feeling so vulnerable. Then it became, “Oh, you felt vulnerable because of the Eddie situation, so let’s talk about that.” I wanted to be able to talk about it and express it. I didn’t even fully understand it when we started talking about it; what went wrong and how it all kind of fell apart. It was important for me to put it all down on paper and do it from my recollection, to remind myself that I do know what a loving, respectful relationship is, because I had that and much more with Eddie. It was so important for me to put pen to paper with that, because I also had never spoken about it. I wanted people to know, and I wanted my daughter to know that it wasn’t just a wham, bam, thank you ma’am, and let’s move on to the next. It was a very loving courtship. It didn’t end well, but it was a major love story that was one of the biggest love stories of my life.

TME: And your mom is, of course, back in your life…

MB: Yes, and she’s actually just about to drop the kids off at school now.

TME: You guys are totally back on track again with your relationship?

MB: Yes. When my dad died, even though those circumstances were horrendous, and it was heartbreaking… my dad was at the point of no return. He was going to die and that was that. His death brought my whole entire family and my friends back together again. It was quite a serendipitous time, because it brought us all back together in a way that was sad, but really happy in the fact that we could all be in the same room together. For my mom, it’s been very healing. She, like my nineteen-year-old, wanted to write her own chapter in my book. And they both did the audio for my book. My mom and my daughter both really wanted to be a part of this.

TME: You’re about to run off to a Spice Girls meeting later. Can you share?

MB: It’s about the tour. We put six shows up for grabs and we ended up doing 13 because they sold out. We’re going to be talking about staging, choreography and our dancers. It will be all of us on tour, but without Victoria. She sends all of us her blessing, but she has always been adamant that performing is not really her thing. She’s busy with her family and her fashion empire. I still have hope that at some point she joins us, but as of right now she’s not.

TME: The Scary Spice of twenty years ago was brash and bold, and very tell it like it is. You were the tough girl. After everything you’ve been through so publicly with heartbreak and abuse and people seeing that you are quite vulnerable, now who will Scary Spice be as you head out on the road in 2019?

MB: I’m still the same. A little more educated and more aware, and I would say more honest which could be misinterpreted as being even more brash and even more loud (laughs).

TME: What qualities will you now look for at some point when you want to find love again?

MB: I don’t even want to think about that! It’s not on my radar. I’m very happy being single. I’m raising three kids, I’m on my own healing journey and I’m busy with work. I’m the only one paying my bills, and I’m paying the monster’s bills also every month and the lawyer’s bills. I’m focusing on the time I have off from work, just being with my kids. I’ve just put up the Christmas tree two days ago and I’m putting decorations all over the house, and it’s nice.

Photo Credits: Courtesy of Melanie Brown/Hardie Grant Publishing

TME: What is the rainbow or silver lining in the cloud for you?

MB: It would have to be my kids. They’re the ones that I wake up to every morning and I go to sleep with every night. It’s reassuring for me that they’re happy, they’re on track academically, they’re on track with me as far as our mother/daughter relationships goes. I’m so very, very proud of them. Also, what has been eye opening and reassuring for me is the fact that Women’s Aid ( had made me a Patron of their federation. They deal with these kinds of abusive relationships. They find you help, they find you refuge, they help you get educated, they help you if you need help through the legal system. They reassure you that you are not alone, that this happens a lot, and they make you feel safe.

If you or someone you care about is currently in an abusive relationship, and in need of assistance, please contact in the UK or The National Domestic Violence Hotline at in the U.S. for help and resources.

Brutally Honest by Melanie Brown with Louise Gannon is available in bookstores and on Amazon. Download the audible version of Melanie’s book exclusively through

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Midnight Mass: The Blood of Life



The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God. 

Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes. 

Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God. 

We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant. 

Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed. 

Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus. 

Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship. 

Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care. 

The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love. 

Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls. 

Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now! 

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Saw X: It ain’t brain surgery!



Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer! 

First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive! 

So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance. 

Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth. 

The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge! 

First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer. 

A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now! 

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Scott Pilgrim Takes Off



“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.

The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.

The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.

The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.

“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.

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