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HIGHLY-ANTICIPATED R-RATED ANIMATED THRILLER ARRIVES AUGUST 2, 2016 ON BLU-RAYTM DELUXE EDITION, BLU-RAY TM COMBO PACK, DVD & DIGITAL HD

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Delve into the demented history of the Dark Knight’s arch nemesis – The Joker – as he sets out to prove insanity is only a horrifying moment away for anyone in the latest DC Universe Original Movie, Batman: The Killing Joke. Based on one of the best-selling graphic novels of all time, this R-rated, feature-length animated film brings together some of the key creative team behind Batman: The Animated Series with executive producer Bruce Timm at the helm and Kevin Conroy and Mark Hamill returning to their seminal roles as Batman and The Joker, respectively. Produced by Warner Bros. Animation and DC Entertainment, Batman: The Killing Joke arrives August 2, 2016 from Warner Bros. Home Entertainment on Blu-Ray™ Deluxe Edition, Blu-Ray™ Combo Pack, DVD and Digital HD.

Batman: The Killing Joke will be available on Blu-rayTM Deluxe Edition for $29.96 SRP, Blu-rayTM Combo Pack for $24.98 SRP, and DVD for $19.98 SRP. The Blu-rayTM Combo Pack includes a digital version of the movie on Digital HD with UltraViolet. The Blu-ray™ Deluxe Edition will include all components of the Blu-Ray™ Combo Pack, along with an exclusive figurine of The Joker in a numbered, limited edition gift set.

Fans can also own Batman: The Killing Joke on Digital HD on July 26, 2016 via purchase from digital retailers.

Based on the acclaimed graphic novel of the same name, Batman: The Killing Joke takes a journey into the dark psyche of the Clown Prince of Crime – from his humble beginnings as a struggling comedian to his fateful encounter with Batman that changes both of their lives forever. Years later, and now escaped from Arkham Asylum, The Joker devises a plan to prove that one bad day can make anyone as insane as he is – setting his sights on Commissioner Gordon. It’s up to the Dark Knight to put a stop to The Joker’s latest scheme and save one of Gotham City’s finest. Following a gripping prologue introducing Barbara Gordon’s heroic adventures alongside Batman as Batgirl, Batman: The Killing Joke stays true to the authentic tale that has held fans’ imaginations for nearly three decades – spotlighting the birth of a Super-Villain, the fortitude of a Super Hero and the punchline that will leave you speechless.

Published by DC Comics in 1988, the two-time Eisner Award winning Batman: The Killing Joke graphic novel has maintained an unparalleled popularity throughout its 28 years of existence – as evidenced by its recent ranking as the best-selling graphic novel of 2015.

“Batman: The Killing Joke presents one of the most compelling stories in the annals of Batman’s adventures: the evolution of The Joker from normalcy to criminal insanity. This was a very challenging story to tell because of the intense, often disturbing storyline, but we are extremely pleased with how true to the graphic novel we have been in this original film.” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “Warner Bros. Home Entertainment is proud to release Batman: The Killing Joke as an authentic representation of its revered story for both longtime fans and new fans alike.”
The celebrity-laden cast is led by Kevin Conroy (Batman: The Animated Series, Justice League) and Mark Hamill (Star Wars franchise) as they reprise their seminal roles as the voices of Batman/Bruce Wayne and The Joker, respectively. The cast also features Tara Strong (Teen Titans; Batman: Arkham games), as Barbara Gordon and Ray Wise (Twin Peaks, RoboCop) as Commissioner Gordon.

Batman: The Killing Joke is directed by Sam Liu (Justice League vs. Teen Titans) from a script by Eisner Award-winning writer Brian Azzarello. Bruce Timm and Sam Register are executive producers, and Alan Burnett is co-producer. Benjamin Melniker & Michael Uslan are executive producers.
Batman: The Killing Joke – Enhanced Content DVD
• An exclusive sneak peek at the next DC Universe Original Movie.

Blu-ray™ Combo Pack
• An exclusive sneak peek at the next DC Universe Original Movie..
• Featurette – “Batman: The Killing Joke – Madness Set To Music” – Jim Gordon must bear witness to the most disturbing images any father could imagine while a maniac entices his break from sanity in song. This documentary looks at the step-by-process of one of the most crucial scenes in Batman: The Killing Joke, including the methodology James Tucker used as he storyboarded Brian Bolland’s stunning work for the screen; Dynamic Music Partners composers/lyricists’ creative merging of original music with the poetic words from the graphic novel to provoke the desired feelings and emotions for this critical scene; and actor Mark Hamill’s physical, devoted performance to capturing the world¹s most notorious Super-Villain in song.
• Featurette – “Many Shades of Joker: The Tale of The Killing Joke” – Brian Bolland’s artwork is instantly recognizable to comic book enthusiasts all over the world. Known for his amazing cover art, it was a rare inclusion into the body of a graphic novel, Batman: The Killing Joke, that helped the perennial story of Batman and The Joker remain a fan favorite for decades to come. Combined with the graphic novel’s original script – which is more than just the telling of a story, but an intricate map explaining every stop along the way to the end of a fantastic journey – this documentary reveals the artistic process behind The Killing Joke’s distinct style. We’ll learn how artists and writers excelled at conveying story and human emotion one panel at a time, mesmerizing readers with unforgettable stories and humanized depictions of heroes and villains. And why after nearly 30 years in print, Batman: The Killing Joke is more thought provoking than ever, as its socio-economic themes are relatable to generation after generation.
• From the DC Comics Vault – Two 22-minute episodes:
1. The New Batman Adventures – “Old Wounds”
2. Batman: The Animated Series – “Christmas with The Joker”

Blu-ray™ Deluxe Edition
• Exclusive Limited Edition The Joker Figurine
• An exclusive sneak peek at the next DC Universe Original Movie..
• Featurette – “Batman: The Killing Joke – Madness Set To Music” – Jim Gordon must bear witness to the most disturbing images any father could imagine while a maniac entices his break from sanity in song. This documentary looks at the step-by-process of one of the most crucial scenes in Batman: The Killing Joke, including the methodology James Tucker used as he storyboarded Brian Bolland’s stunning work for the screen; Dynamic Music Partners composers/lyricists’ creative merging of original music with the poetic words from the graphic novel to provoke the desired feelings and emotions for this critical scene; and actor Mark Hamill’s physical, devoted performance to capturing the world¹s most notorious Super-Villain in song.
• Featurette – “Many Shades of Joker: The Tale of The Killing Joke” – Brian Bolland’s artwork is instantly recognizable to comic book enthusiasts all over the world. Known for his amazing cover art, it was a rare inclusion into the body of a graphic novel, Batman: The Killing Joke, that helped the perennial story of Batman and The Joker remain a fan favorite for decades to come. Combined with the graphic novel’s original script – which is more than just the telling of a story, but an intricate map explaining every stop along the way to the end of a fantastic journey – this documentary reveals the artistic process behind The Killing Joke’s distinct style. We’ll learn how artists and writers excelled at conveying story and human emotion one panel at a time, mesmerizing readers with unforgettable stories and humanized depictions of heroes and villains. And why after nearly 30 years in print, Batman: The Killing Joke is more thought provoking than ever, as its socio-economic themes are relatable to generation after generation.
• From the DC Comics Vault – Two 22-minute episodes:
1. The New Batman Adventures – “Old Wounds”
2. Batman: The Animated Series – “Christmas with The Joker”

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Dune Part Two: The Lisan Al Gaib comes for you!

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Welcome back to our struggle for control of the known universe already in progress, the continuation of the journey of Paul Atreides from exile to Emperor, Dune Part Two

So when we last left our intrepid if dubious heroes, House Atreides had been betrayed and virtually destroyed, by a combination of House Harkonnens surprise attacks and the added treachery of Emperor Shaddam and his Sardaukar. Paul Atreides (Timothee Chalamet), the last surviving heir (so far) of House Atreides and his mother Jessica, have taken refuge on the desert planet of Arrakis amongst the indigenous Fremen, and as far as most are aware, the other remnants of House Atreides are dead as well. And here is where we catch up with everyone, as the struggle for Atreides emergence and dominance begins in earnest! 

The Emperor’s daughter Princess Irulan (Florence Pugh) is known for her many skills, but her copious note-taking and writings on the large events shaping her world come to the forefront as she takes counsel with her father amidst games of chance on their homeworld. Her life is one of luxury and privilege but alas, Irulan is a trained Bene Gesserit and is well aware that in all likelihood, she will be used as a pawn in the marriage games empires have to go through. Bet she never imagined it could be to a House everyone swore had been utterly destroyed. 

Meanwhile, on Arrakis, Paul is trying to integrate himself into the Fremen way of life, which is admittedly far different from the life he led back on the Atreides homeworld of Caladan. (If nothing else, Caladan has vast oceans.) The Fremen are fiercely independent, gloriously strong fighters, survivors who dare to ride and revere the giant sandworms that inhabit their planet that they call Shai-Hulud, and rightfully distrustful of outsiders. After all, the previous stewardship of Arrakis belonged to House Harkonnen, known for their cruelty and glee at hunting Fremen and torturing their victims, sometimes for weeks at a time. But Paul won his and Jessicas way into the Fremen by fair combat against Jamis, and if nothing else, the Fremen are firm in their beliefs of the old ways. 

Or rather, the elder Fremen are, most particularly the famed Fedaykin fighter and Naib (leader) of Sietch Tabr Stilgar (Javier Bardem) is adamant in his unshakable belief that Paul is the foretold Lisan Al Gaib, the Voice from the Outer World, that will lead the Fremen to peace and paradise. Stilgar’s steadfast belief in Paul’s potential only grows, and he manages with just that to convince a great many of the other Fremen elders. The younger generation of Fremen however, of which Paul’s beloved Chani (Zendaya) is a part, generally scoff at the legends of otherworldly prophets and Arrakis as a fabled green, wet heaven. In the beginning, Paul himself swears he doesn’t want to be the Messiah, only a Fremen fighter amongst the rest of them, hundreds of years of the Missionaria Protectiva, the Bene Gesserit practice of spreading useful religious propaganda as seeds on various planets, is working double-time against him. It doesn’t help that Paul’s mother Jessica (Rebecca Ferguson) is expounding on that myth as much as she possibly can. 

And why would she do that? Survival yes, but also, Jessica is a thoroughly trained Bene Gesserit and knows of plans within plans within plans. Jessica also has many secrets of her own, and one very important one happens to be that she’s pregnant with Paul’s sister. The Bene Gesserit bodily control may be something out of legend, but even Jessica, possibly Reverend Mother Mohiam’s best and most fractious student, will have trouble with the trial the Fremen are insisting she go through to become truly one of them. The Reverend Mother equivalent of Sietch Tabr, known as their Sayyadina, is old and dying, and the Fremen have to have a Reverend Mother. Jessica tells Paul this much and explains that each culture is different in their trial to become a Reverend Mother, so she honestly doesn’t know what to expect. The reality happens to be worse than she could’ve imagined – Jessica must drink the Water of Life, a deadly poison that comes from Shai-Hulud (sort of), and come out the other side of it. And Jessica manages to do it, barely, with almost all of the consequences going to the poor fetus in her womb, the girl that will grow to become Alia Atreides, an insane legend in her own right. But for now, the unnamed fetus is awake and aware and full of the memories of generations of Bene Gesserit women that came before her – before she was even born

Paul participates in razzia raids amongst the Fremen as they work to take out the spice mining operations of the Harkonnens, immerses himself in the vastly different desert culture of his chosen people, and perhaps most importantly, his romance with his beloved Chani only grows stronger. After declaring his desire to join the fierce fighter elites amongst the Fremen known as Fedaykin, Paul is told by Stilgar that he must summon and ride one of the giant sandworms, the embodiment of Shai-Hulud where the Fremen get their terrible tooth Crysknives from. And after much sendup, in a glorious scene of blinding sand and huge monstrous killer worm-riding, Paul is triumphant and riding atop the sacred creature, his Maker hooks set properly to control the great beast, waving at great distance to his fellow Fremen as Chani looks on in bemusement. 

But that’s all external, and inside Paul is beginning to become divided on what he wants to do. As Jessica pushes the Protectiva hard amongst the women and priestesses of the Fremen, she is also pushing her son to become much larger than he ever wanted to be, if nothing else a conqueror can take revenge for the destruction of House Atreides and the death of her beloved Duke Leto. Paul may have earned his place amongst the Fremen and been given new names – Usul, meaning the strength of the base of the pillar, as his private name within the Sietch; and Muad’Dib, from the small mouse survivor of the desert, well versed in desert ways, called ‘Instructor-of-Boys’ in Fremen legend, as his open-use name – but now everyone wants Paul to be something greater, and potentially more destructive, than what he currently is. It only gets worse when Paul begins to suffer prophetic dreams, and visions when he’s awake, prodding him further to his destiny as an epic conqueror of worlds. Nothing can be done for it, Paul convinces himself that he must take the Water of Life himself, to awaken the sleeping prophet inside himself, and allow him to hopefully See a path through the future. 

The problem with that plan, is that Bene Gesserit are almost exclusively all women, and only they are supposed to know how to transmute poisons internally, along with all sorts of other “witchcraft”. But Jessica has been training Paul in forbidden Bene Gesserit ways all his life, and as much as Paul might rail and even quail against it, there is no denying his incoming destiny, crushing any resistance he may have with all the force of a giant sandworm hunting a spice blow. And even when Paul has finally given in and taken the cursed substance almost mockingly called the Water of Life, it falls to another strong and prophetic in her right female in his life, his beloved Chani, to save him from himself. But even Chani can’t stop Paul’s destructive destiny as the conqueror of the known worlds, guilty of slaying millions upon millions of people in his quest for vengeance, thinly disguised as peace. 

Over on the Harkonnen homeworld of Geidi Prime, “Beast” Rabban (Dave Bautista) is disgusted and enraged at the continuing Fremen raids against the Harkonnens on Arrakis, and terrified of what his uncle the notoriously cruel Baron Harkonnen (Stellan Skarsgard), will do to him in response. The Baron’s nephew Feyd-Rautha (Austin Butler), heir apparent or na-Baron to House Harkonnen, demonstrates his blood-inborn savagery in a slaughter of the remnants of House Atreides gladiator-style, as his birthday celebration. Pleased with the spectacle, the Baron commands Feyd-Rautha to take control of the fight against this Fremen rebel known as Muad’dib, as Rabban is proving himself more and more useless. And any tool or toy that the Baron finds broken or unusable, is destroyed before being discarded. 

As the legend of Muad’dib grows off Arrakis and circulates among the Imperial worlds, the Emperor grinds his teeth in frustration and the Bene Gesserit, led by Reverend Mother Mohiam (Charlotte Rampling) as the Emperor’s Truthsayer, begin pushing forward their plots and machinations. Lady Margot Fenring (Lea Seydoux), a criminally underused character in this respect, demonstrates her willingness to be a pawn in Bene Gesserit machinations, but never forget, strong Bene Gesserit women have been breaking their own rules for generations. Just look at what Jessica did. 

As the raids and rebellion on Arrakis continue, both the Emperor and the Baron become more and more desperate, sending in mercenaries and smugglers in the hopes they might have more luck. And aboard one of those smuggler’s vessels happens to be an old hand at being a smuggler himself, the warrior troubadour with the scarred face given him by “Beast” Rabban himself, Gurney Halleck (Josh Brolin). Reunited with his beloved Duke’s only son, Gurney finds himself swept up in the legend of Muad’dib in the making along with everyone else, though at least from Gurney’s point of view, Paul is using the messianic angle to take revenge for House Atreides. 

Finally, in an act of what could be considered the ultimate in arrogance, Emperor Shaddam Corrino himself comes to Arrakis, along with Princess Irulan and many others of his Court, the Baron, and Feyd-Rautha in tow as well, to crush this upstart Muad’dib and his Fremen warriors. Sadly for all that the powerhouse actor Christopher Walken plays him, Emperor Shaddam Corrino is shown as a doddering old man, cowed in the face of Muad’dib’s overwhelming vitality and growing-ever-stronger legend. And there is where we will end the review, for the final confrontation between all key players in the Known Universe is full of spoilers and derivations from the original opus of Frank Herbert’s novel Dune

For those of you who stuck around long enough to get to the end, after all, Dune Part Two is almost three hours long itself, if you are fans of the original novel and the zany Lynchian masterpiece that was the first Dune film, you may be disappointed or even angered at the changes made to the story for the climactic end scenes. Director Villenuve has an eye for making grand epic scenes like Paul’s sandworm ride but can be a bit scattered when it comes to piecing the story together with all the key players needing to be involved in a way that can be understood by any layman. Dune in any form is a rich, vast universe of storytelling, and even an almost three-hour-long sequel simply can’t cover every last bit that’s in the novels. But if nothing else, the film is an overwhelming feast for the eyes and should bring a whole new legion of fans to the many worlds contained within Dune

If you want to dive further into the Dune-iverse, do yourself a favor and read the Dune prequel books written by Herbert Jr. and Kevin J. Anderson. Until then, dive into the sands of Arrakis along with Shai-Hulud and scream vengeance to the skies with Paul Muad’dib Atreides in Dune Part Two, in theaters now! 

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Thatsmye Interviews: Les Weiler on Henchin’: the Series

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The 8 Episode Series Tries To Encompass A Lot Leaving Fans In A Cliffhanger.

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The 2010 “Avatar: The Last Airbender” movie by M. Night Shyamalan faced criticism for its deviations from the beloved animated series. The film struggled with pacing, casting, and a lackluster script, disappointing fans who cherished the source material. In contrast, the 2024 Netflix series has generated positive buzz for its commitment to diverse casting, adherence to the original storyline, and improved character development. The series seems poised to capture the essence of the animated show, offering a fresh and faithful adaptation that resonates with both new and existing fans.

Even though the Netflix series comes closer to the core ideals of the animated series, I feel it lacks heart. Many scenes barely scratch the surface of the relationships between the characters and the push-and-pull relationship between Aang and Zuko. I will admit the CG versions of Momo and Appa are just so gosh darn cute.

The 8 episode series tries to encompass a lot leaving fans in a cliffhanger. It’s worth a watch and I am hanging on for the next season to be announced.

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