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Damon Dash’s Film, “Honor Up,” Gives a Violent, Soulful Rendition of Urban Life

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The life of Damon Dash appears to be an epic triumph to some, a Shakespearean tragedy to others. It depends on where you’re standing when you look at him. After speaking with the hip hop mogul turned entrepreneur and filmmaker, I can tell you Dame Dash’s story is more nuanced and complex; and is still being written.

Dash hopes his new film, Honor Up, a semi-autobiographical story about the code of street honor, executive produced by Kanye West, and starring Dash, Nicholas Turturro, Michael Rispoli and Cam’ron; will give audiences an authentic portrait of who he is beyond the media’s checkered narrative. He tells me the unwavering code of honor depicted in the movie has informed every choice he’s made in his adult life. 

A kid from Harlem, who lost his mother in his youth, Dash quickly took on a hustler’s mentality, adopting the OG street code which propelled him from promoting nightclubs and rap artists to reaching the apex of the music industry with the success of he and Jay-Z’s Rock-A-Fella records label, and the urban lifestyle brand, Roc-A-Wear. It was Dash’s unwavering vision and tenacity, and his loyalty to artists he believed in, that launched the careers of Jay-Z, Kevin Hart, Kanye West and his ex-wife, fashion designer, Rachel Roy.

Since splitting from Jay-Z and dissolving Roc-A-Fella records, he’s been painted by the entertainment industry as an incorrigible and unruly outsider; a man who wouldn’t drink the Kool-Aid or fall in line with Hollywood or music industry politics. As Dash made clear to me during out conversation, he refuses to ever bow down to corporate demands, and therefore chooses to self-fund his many projects, from film and art to fashion.

After years of personal and professional heartbreaks, Dash found an unwavering ally in longtime love and business partner, Raquel Horn. Horn is Dash’s creative muse and collaborator, while Dash is Horn’s mentor and idea facilitator. Together, the two have launched Dame Dash Studios, Dash Diabetes Network, their Poppington fashion line, and the beginnings of an independent movie studio. Damon Dash is a man in his creative renaissance…and in love.

 

TME: Tell me about the most influential people in your life…birth to present day?

Damon Dash: My mother was a big influence in my life. She passed away when I was fifteen. I would say Muhammad Ali was a big influence on my life, my OG Daniel (Dash’s childhood mentor, Daniel Jenkins, the inspiration behind Dash’s new film, Honor Up) is one of the most influential people in my life from when I was younger. That was one of the reasons why I made the movie, Honor Up.

TME: Your mom passing when you were fifteen, how did it impact who you became?

Damon Dash: It made me fearless. The one thing I was afraid of up until I was 15 was that my mother would die, and then she did. It made me very aware of my mind, in that, if you worry about something it usually realizes itself. I try not to worry about anything. Because my mother spoiled me, and she wasn’t there to spoil me anymore, it made me the business savage that I am. I wanted to maintain that lifestyle.

At the time, my pops wasn’t going to be able to give me that, so I had to do it myself. I think in a strange way, if my mom was still here I wouldn’t have made the history that I’ve made, because nothing would have felt so urgent. Someone can teach you how to survive, but you really don’t get those skills until you have to. [Her passing] made it where I had to, and she taught me well.

TME: You refuse to take a paycheck. You’re someone who has to have ownership in everything you do. Speaking for myself, I can say there was a time in my life when I asked myself if I was for sale, or if I was not for sale. Can you recall a defining moment when you asked yourself that same question, and determined that you were not for sale?

Damon Dash: I’ve been a street entrepreneur since I was very young, since my mother died, because I had no choice. I’ve never had a boss. I’m from Harlem and I think I’m cooler than everybody, so it would be hard for me to have someone telling me what to do. It’s not about working for somebody, because I always have equity. I have something, and then I may need to take it to another level, so there would be a business relationship or a partnership. But I would always walk away from certain partnerships, because I didn’t like the moral value of that person. It’s offensive when someone that I don’t respect presents me with an opportunity to work for them and tries to control me. I don’t even know what that means, working for someone else. It’s not a mathematical equation that makes sense to me.

TME: How do you define God?

Damon Dash: You can’t define God. That’s how I define it. It’s undefinable. I can’t fathom God; just one entity controlling everything. I have no idea, and the 90% of our brain that we can’t use or access, we can’t really fathom what that is. Maybe if I had access to more of my brain, I could begin to fathom that.

TME: You don’t have a sense of knowing, or belief about it?

Damon Dash: If there is a God, it’s a woman.

TME: And why do you say that?

Damon Dash: Why wouldn’t it be that way? Men are stupid. God could never be a man, because men are too insecure. There’s wars, we fight. It’s illogical and stupid. That’s all insecurity. I don’t think God would have those characteristics.

TME: What did you learn about love from your time with Aaliyah?

Damon Dash: I learned exactly how happy love can make a person. It was a feeling that I never knew existed before. What it did teach me is to recognize love, and to appreciate love. It also taught me never to mess with an artist, because they’re always on the road. You never see them. The more you love them, the more you miss them. It made me appreciate what I had in that moment, and it made me recognize love with my girl Raquel (Dash’s girlfriend and business partner, Raquel Horn). I knew that feeling. It was familiar to me, because I felt that with Aaliyah.

TME: Describe Aaliyah’s character; the person you knew her to be.

Damon Dash: Aaliyah loved life. She loved to laugh. She was color blind, a great soul, a ridiculous amount of swag and great taste. And those were the same exact qualities I saw in Raquel. For me, the greatest thing about Aaliyah was that we were both from somewhat of an extreme circumstance, you know, urban, in the hood. And we both had such a desire for things that were so unhood. But in those environments that were unhood, we would still have that hood swagger and we could laugh at things. Aaliyah and I used to spend a lot of time laughing at the corniness of life. We both found people’s insecurities very funny.

TME: Would you like to see a movie made about your beginnings, during the rise of Roc-A-Fella Records, and that time in your life?

Damon Dash: That’s inevitable, whether I make it or somebody else does. I am very aware and clear of what I have done, and my impact on this world. They’ve already made Aaliyah’s story, and I was in that. Let’s say they don’t do my story, everyone else’s story that I’ve been a part of, I’ll be in there. At the end of the day, I like to control my likeness, so I’ve already started that process. This movie, Honor Up, is about me and my ideals growing up.

 

TME: What is your opinion about how the media has cast you over the past decade? What have they gotten right, and what have they gotten wrong?

Damon Dash: I’ve been able to manipulate them exactly the way I’ve wanted to. I’m very aware that an independent person like me that does things on his own, that my success would mean other people’s failure. Everyone that’s getting robbed, and everyone that’s doing the robbing, would fail. I’m the guy that doesn’t rob and does everything honorably. If I can show that I can do things honorably, that would make other people need to do things honorably. The way they were portraying me in the newspapers, it wasn’t very intelligent.

TME: Do you think you’ve been caricaturized?

Damon Dash: They never showed Damon Dash the businessman; Damon Dash, the single father raising his son alone from the time he was eight years old; Damon Dash living with Type 1 Diabetes; or the man who’s running all these different companies.

 

TME: Where did the negative portrayals of your character come in?

Damon Dash: I didn’t want to do Rock-A-Fella anymore. I wasn’t trying to just do music. I didn’t want to be typecast. I wanted to do fashion. I wanted to do things that were multicultural, and I wanted to run around the world. And I knew walking away from Jay Z, that all Jay-Z fans were going to start with me and try to get at me. I know that controversy sells papers. I needed everybody to think I wasn’t doing well so nobody would ask me for anything. But all those years, I was owning Rachel Roy, a $75 million company. I was running around the world, I had galleries and things like that. But Dame was under the radar. And they left me alone. I always thought it was funny that they made me the underdog. I could have been nice. I could have worked with these people that have no morals and no values and spent their money instead of having to keep re-investing my own money.

TME: But you walked away.

Damon Dash: I decided freedom was priceless, happiness is priceless. I needed to raise my daughters. It wasn’t conducive for my daughters in a hip hop environment, because you have a bunch of young, insecure, aggressive men. I realized that with the internet there is no buffer, and I can tell the truth whenever I want. No one can stop me. Whoever wants me will come find me, and they’ll see the truth.

TME: Let’s talk about your new movie, Honor Up. You wrote and directed this movie, you play a central character, and you put up your own money to make it. How long has this story been in you, wanting to come out?

Damon Dash: I always knew I would tell this story, but what made me want to tell it now, and in this way, was a moment when I was hearing a lot of things about people I was close to from my past, that contradicted all our morals and values. It bugged me out, because these were the people I respected the most. I just couldn’t believe it, and it hurt. So I made a movie about it. I want people to understand my morals and principals, why I don’t look the other way and who taught me.

TME: This movie, Honor Up, will help people to better understand you and what makes you tick.

Damon Dash: I think people need to know the rules. Maybe people aren’t living by them now, and that’s the reason I kind of stay in my bubble. Maybe now people will understand why I don’t compromise, why I won’t bend over for a dollar. Because I was taught the right way by certain kind of people. With this movie, I want people to hear the voice that taught me, from the voice that taught me. When you see this movie, you’re going to see my real OG, the voice I heard when I was fifteen (Dash is referring to his childhood mentor, a man by the name of Daniel Jenkins).

TME: A big theme in Honor Up is the street code of not being a snitch, not talking to the police. Let’s set up a scenario. In December 1990, John Gotti was arrested by the FBI and NYPD. He was indicted on multiple counts of racketeering, extortion, jury tampering and murder. He strongly believed in the oath of silence he took as a “made man” with the Gambino family. He didn’t provide any information to the government; he didn’t strike a deal with prosecutors. John Gotti went away for life and he died in prison. Weighing everything: family, life, everything… had that been you, would you have stuck to the street code like he did, and gone away for life?

Damon Dash: If you’re gonna do the crime, do the time, period. Two people sign on to a contract, whether everybody else’s principals are different, you sign on to a contract, and you have to abide by it.

TME: You do know that a lot of guys don’t abide by it.

Damon Dash: That’s why I made the movie. That’s why I got out of the streets. I knew that at some point I would have to kill, or I’d have to go to jail and I would have to do the time.

TME: You would not make a deal or rat anybody out. You would go away for life.

Damon Dash: Yeah. If I did the crime? Yeah. That’s the game. You think I would be so low as to put one of my friends in jail? Someone that I hung out with, I know their kids, I know their girl? Just so I don’t go to jail, I put him in jail? Nah, I couldn’t live with myself. If you make a conscious choice to do something, you got to stand behind it. Now if you’re a civilian, and let’s say someone accused you of doing something you didn’t do, you never hustled and all that other stuff, you didn’t sign on to that game. That’s a different story. But for someone that signed on to the game, you know you’re not supposed to be doing that.

TME: Is there a spiritual component to your beliefs?

Damon Dash: I understand spirituality. I read The Seat of the Soul [by Gary Zukav]. That book changed my life. That was actually the connection between Aaliyah and me.

TME: Did you read that book together?

Damon Dash: All of those books, yes. And I made my whole crew read that book. Me and Aaliyah, that was our connection. We read all of those books. That book scares me, because when she died I had all those books around me. I had one book called, When You Lose Your Soulmate right on the bed. I was so into that, that I almost felt like it was to prepare me for her death. If I hadn’t read those books, I don’t think I would have dealt with it the same.

TME: Have you read, Many Lives, Many Masters by Dr. Brian Weiss? That’s my favorite one.

Damon Dash: Yes, I did. I read so many of those books. That’s what got me through [Aaliyah’s] death. But I had so many of those books scattered around my room. At every bed post I had something related to the soul and the evolution of it. I think I’m about at a deep purple right now.

TME: (Laughs) Your crown chakra is fully activated.

Damon Dash: I’m floating.

TME: Kanye West executive produced your movie, Honor Up. The two of you go way back to when you launched his music career. What was different about working with Kanye on a film, versus musically?

Damon Dash: This time I’m the artist and he’s the businessman. Whereas, I used to showcase his art, he’s now showcasing mine. He used to play his records for me. Now, I was coming back and playing cuts of the film for him. It was a total role reversal. It was a great example of the OG being happy that someone younger than you can have more power than you with certain things, and can help you. You build people, so they can build you. I wasn’t expecting him to do all that he did. You never know what Kanye’s going to do, but I know that he’s inspired by art. It was the first time that, instead of me helping somebody, somebody was helping me. He gets it. Some people don’t understand that helping people makes you the happiest. The happiness that Kanye got from helping me, it was contagious.

TME: Can you see you and Kanye West forming an ongoing partnership with a film production company?

Damon Dash: We just started one, that’s what we’re doing! You know me; I don’t play. I hit you with flurries. I’m prepping to shoot my third movie right now. This film was the first time, to my knowledge, that I have ever seen Kanye put his name on something that he can’t control. The fact that he acknowledged my art in that way, shows that this is some real art. Kanye is not going to co-sign something corny. But the respect level was there, which is what I appreciated the most.

TME: What do you say to people who feel that a movie like Honor Up, which does depict street violence, is perpetuating a stereotype, or that it’s a negative influence on your younger fans?

Damon Dash: Any movie that’s about war, you have to show the war to learn from it. Whoever looks at it like that, isn’t from the street. They don’t understand. I’m not trying to preach to the converted. That was my reality, and that’s what I learned from. That’s what smartened me up. I hope that people can see every element in this movie. The story is authentic. There’s so many different artistic levels. It’s not just bullets. It’s about the message. It’s art, and I think anyone who really looks at it will recognize it as art.

TME: When you wake up in the morning and your feet hit the floor, which is foremost on your mind, making money or making art?

Damon Dash: Making art. Never making money. I think money is overrated. That’s why I spend so much of it. I don’t even want to hold it. It makes people go crazy. I wouldn’t do anything for money that I wouldn’t do for free.

TME: A lot of people may not know that you are a Type 1 Diabetic and have been since you were 15 years old.

Damon Dash: I made it public a long time ago, but people don’t talk about those kinds of things. I always thought it was important to bring awareness to it, because I’ve had it since I was fifteen and I have noticed all the misconceptions that come with it. It’s a 24-hour disease. And for me, as a diabetic, I always want to hear about another diabetic’s story. I know if they are winning, that I can win. And there are a lot of celebrities that have it, and they don’t want to talk about it. I’ve never understood that. They think it’s a weakness, whereas I think it’s a strength.

I want people to know that every great thing I’ve done, every time I’ve made history, it’s always been as a diabetic. We started a network called the Dash Diabetes Network. We talk about diet, working out, mental well-being and just being healthy, overall. When you’re a diabetic you have to live a healthy lifestyle. You have no choice. I’m a vegan. Well, let me say I eat a plant-based diet. I can’t say I’m completely vegan, because I still own a leather jacket or two and I have leather seats in my car. Rocky (Dash’s nickname for his girlfriend and business partner, Raquel) has created a vegan handbag as part of our Poppington fashion line.

TME: Let’s talk about your network, Dame Dash Studios. It features your films, your radio show, musical projects, your Poppington fashion line, Dash Diabetes Network and your personal travels around the world. It’s like a VIP ticket to all things Dame Dash. Tell me about the vision for this studio.

Damon Dash: At the end of the day, the direct to consumer relationship is the new wave, and it keeps me independent. I can stay uncensored and I can say what I want; can’t nobody fire me. I can do whatever I want, and above and beyond anything, I can pass it down to my children. I can pass it on to my wife. Raquel is wifey for lifey. She is the one who inspired me to embrace my artistic nature after watching me make everybody else famous. Falling in love, embracing art, that’s why I say that I’m purple right now (referring to the color associated with spirituality), because I’m elated. I’m happy. I just love the fact that I’m being artistic, that I’m being unapologetic about my point of view and fearless about speaking on my art.

Damon Dash’s movie, Honor Up, hits select theatres and VOD February 16, 2018.

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‘Abigail’: Bite Me Harder Tiny Dancer

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A gang of misfit kidnappers find their tiny target far more bloodthirsty than they bargained for! 

So, unfortunately, the trailers gave it away and let’s be real that’s why most of us are here, the knowledge that the kidnap victim Abigail (Alisha Weir), codenamed by the would-be kidnappers appropriately as ‘tiny dancer’, is in fact, a vampire. Not a spoiler, point of fact, one of the film’s actual great selling points. And the reactions from the misfit club when faced with a real actual f*cking vampire, range hilariously from the blunt “no such thing as vampires” all the way to, “Are we talking True Blood or Twilight rules or what?” all while covered in buckets and buckets of blood. 

Anyway, the gang manages to subdue and abscond with the aforementioned Abigail, in a pre-prepared duffle bag, like you do, and converge to a new location, a house oddly similar to the one she was just taken from. Welcomed and given codenames by a man who introduces himself as Lambert (Giancarlo Esposito), our misfit club is told to simply hold down the fort in this strange old house with the girl chained up in a room and one person to attend her, for twenty-four hours, and they’ll all get paid. 

As inevitable as the tides, the dopey druggie Dean (Angus Cloud) is the first to die, and we’re going to give that death-style points for inspiring terror right off the bat. The very controlling Frank (Dan Stevens, holy crap yes that is the guy from FXs Legion) is also of course the most suspicious – of everyone around him, sure, but also he himself is totes sus. We don’t learn terribly much about the musclebound tank who gets dubbed Peter (Kevin Durand), he’s your pretty typical little-brains-heart-of-gold muscle-for-hire any proper gang needs, right down to the bottle problem. Sammy (Kathryn Newton), well, even for being a purported hacker-type, she has, like, reality issues. Rickles (William Catlett), he’s arguably the most dangerous among them, ex-military and yet somehow here and involved in kidnapping for a few mills. Joey (Melissa Barrera) is our Final Girl, and though she has the inevitable problems in her recent past, she seems more capable of doing the hard thing and still somehow empathizing at the end of the day. Must be her burning desire to get back with her son. 

The fit hits the shan pretty quickly, and Abigail morphs from tiny dancer to tiny monster, though honestly, the way Abigail spoke the entire time in the film, if the ‘nappers had been paying close enough attention, would have been a solid clue. The performance from Alisha Weir as Abigail is incredible, as she literally dances a fine line between comedy, tragedy, and outright monstrosity. With a face full of makeup and the force of a tiny tornado to back it up, Weir brings to mind the great performances of the vampires in 30 Days of Night who saw the practicality in the need to trap their food, but also, play with it a bit first before feasting! Anything else would give away the absolute fun time that is Abigail, so you should go see it, out in theaters now!

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Scrubs Reunion: The Band Gets Back Together

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Fans of the beloved medical comedy series Scrubs were recently treated to a thrilling surprise when John C. McGinley, who portrayed the iconic Dr. Perry Cox, dropped a photo on Twitter hinting at a potential reunion project. The image, showing McGinley alongside his former co-stars, sparked a wave of excitement and speculation among fans who have been longing for more adventures with the beloved Sacred Heart Hospital staff.

While details about the reunion project are still scarce, the mere possibility of seeing the gang back together again has sent waves of nostalgia through fans who fondly remember the show’s original run from 2001 to 2010. Scrubs was not just a sitcom; it was a heartfelt exploration of friendship, love, and the chaotic world of medicine, all wrapped up in a quirky and often hilarious package.

At the heart of the show was the bromance between JD (played by Zach Braff) and Turk (played by Donald Faison), whose antics and deep bond served as the emotional anchor for the series. Their dynamic, along with the sage wisdom (and relentless sarcasm) of Dr. Cox, provided viewers with memorable moments that have stood the test of time.

As we eagerly await more news about the Scrubs reunion project, one thing is for sure: it’s time to dust off those old DVDs, rewatch our favorite episodes, and get ready to welcome back our favorite gang of doctors, nurses, and janitors for what promises to be a memorable reunion.

But Scrubs was more than just its main characters. The supporting cast, including the eccentric Janitor (played by Neil Flynn), the neurotic Elliot (played by Sarah Chalke), and the wise-cracking nurse Carla (played by Judy Reyes), each brought their own unique flavor to the show, creating a rich tapestry of characters that fans grew to love.

While the photo shared by McGinley has fueled speculation about what the reunion project might entail, whether it’s a one-off special, a new season, or something else entirely, one thing is certain: fans are eagerly awaiting any opportunity to dive back into the world of Sacred Heart Hospital.

In an age where reboots and revivals are commonplace, Scrubs stands out as a series that has the potential to recapture the magic that made it a fan favorite in the first place. With its blend of humor, heart, and unforgettable characters, a reunion project has the opportunity to not only satisfy longtime fans but also introduce a new generation to the joys of life at Sacred Heart.

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‘The Hunger Games: The Ballad of Songbirds and Snakes’: Rebellion with a cause

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The story of the rise of Coriolanus Snow, from teenage Capital City pawn to rising Dictator of the Hunger Games! 

Apparently no one out here in post-apocalyptic Panem has heard of irony and so they name their children things like Coriolanus (Tom Blyth), Tigress, and further off in Hunger Games lore, after swamp plants like Katniss. Corio’s father was a legendary general and that is pretty much the only reason young Snow and his meager family of grandmother called Grandma’am (Fionnula Flanagan) and sister Tigress (Hunter Schafer) are tolerated here in the Capital City at all. 

Most of the snotty youngsters at the academy won’t let Snow forget how far his family has fallen, but he’s generally not concerned with them. What is concerning is the strong disapproval of the drugged-up Dean Casca Highbottom (Peter Dinklage) and the creepy attention of Dr. Volumnia Gaul (Viola Davis) as she lurks in the classroom sniffing out talent. The Dean feels very strongly the annual Hunger Games should end, while Gaul is violently adamant that not only do the Games continue, but that they get as much more attention as possible. And young Snow is stuck in the middle, when the yearly prize money normally awarded to the academy student with the best grades gets switched out for, you guessed it, the student that can make this years’ Hunger Games as entertaining as possible. 

Whilst the students are protesting this sudden change, the annual Reaping is about to commence, and big shock and surprise, Corio’s candidate from District 12 Lucy Grey Baird (Rachel Zegler) is chosen as a Tribute. This is where the film begins to really take off on musical wings, for as it turns out, Lucy Grey can sing. Boy, can that gal sing! She can sing, she can play guitar, she can work a crowd, she can calm things down, she can fire ‘em up too! And Corio, being no dummy himself, instantly plots ways to use his Tributes amazing voice to draw attention to her, and admittedly his own, plight! 

Though far too many people sneer at the idea, Corio takes his position as Mentor to his Tribute seriously enough to sneak onto the tram taking the Tributes to their habitat, which turns out to be a completely appropriate moniker, as this year the Tributes are held before the Hunger Games in a large zoo habitat so the weatherman ‘Lucky’ Flickerman (Jason Schwartzman), host of this years games, can MC the hell out of everything up close and personal! 

What happens at this years Hunger Games and the subsequent consequences to both Corio and Lucy Grey is actually only half the story, and the movie. Coriolanus has always had to be opportunistic, but learning to be absolutely ruthless when necessary under the tutelage of Dr. Gaul, who basically thinks it’s always best to be merciless, is an eye-opening education indeed.  Even after they’ve both been consigned to military service and his friend Sejanus Plinth (Josh Andres Rivera) decides to finally rebel, Corio and Sejanus continue to deceive each other and themselves, to accomplish their separate goals. Not even the love Corio swears he feels for Lucy Grey can save him, or them, from the adamant absolute necessity of the Hunger Games continuing. And after all that’s happened, Coriolanus Snow has gotten a terrific education in the best way to be the absolutely ruthless next Hunger Games advocate, and oh yeah, President of Panem. 

The movie does itself no favors by trying to stuff not one but two major storylines and a bunch of side storylines sadly introduced and then ignored, into the film. It would have been entirely possible to turn Ballads of Songbirds and Snakes into two different movies, separated between feathers and scales if you like, and do justice to the major storylines in both. Blyth gives a fine  performance as a young Coriolanus Snow, but the fact that President Snow is played by Donald Sutherland in all three of the Hunger Games films means Blyth has incredibly large shoes to fill. Rachel Zegler as Lucy Grey is absolute fire, and yes the actress did sing the songs in the film herself, including the Hunger Games franchise epic song, ‘The Hanging Tree’. Every time Lucy Grey opens her mouth and sheer soul-searing music comes out, it provides a distinct counterpoint to the soul-crushing ambition of Coriolanus Snow and further demonstrates the District and Caste separation Hunger Games is known for. And if, by the end of the film, Coriolanus Snow has come to agree that the Hunger Games must continue but perhaps under his own auspices, he has no one but himself to blame when another younger but still rebellious female blows it all up in his face! 

Choose rebellion or conformity for yourself in The Hunger Games: The Ballad of Songbirds and Snakes

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