The smash-hit rebirth of the beloved sci-fi classic “Lost in Space,” recently Emmy®-nominated for Outstanding Special Visual Effects, is set to continue in a thrilling four-part graphic novel expansion by Legendary Comics. The new comic series will invite fans to dive deeper into the backstories of their favorite heroic characters and will take the Jupiter 2 where it has never been before. Penned by writer Richard Dinnick (Doctor Who; Thunderbirds) and Brian Buccellato (Detective Comics; The Flash) with stunning artwork by Zid (Skull Island: Birth of Kong; Trick ‘r Treat: Days of the Dead), LOST IN SPACE: COUNTDOWN TO DANGER will feature all-new, untold adventures of the full crew of the hit Netflix Original show—including the Robinsons, Robot, Doctor Smith and Don West.
“At Legendary Comics, we love the new television series, so we couldn’t be more excited to expand the world of show with previously untold comic book adventures,” said Robert Napton, Senior Vice President of Legendary Comics. “There are some surprises in store we think fans will love.”
“What is exciting about comic books is that they are not limited by budget—only by the imagination,” said Executive Producers Kevin Burns and Jon Jashni. “This ‘Lost in Space’ comic is no exception. Legendary Comics has outdone themselves this time.”
Thirty years in the future, en route to a distant colony, the Robinson family finds itself thrown off-course when their ship crash-lands on a mysterious and dangerous planet. On this strange new world, they encounter a hostile environment and an enigmatic alien robot. In order to survive, the Robinson family must rely on their training, and they’ll discover that no matter how lost they are, their family is their home. The new graphic series offers readers the chance to explore new missions, not aired on television, as our heroes struggle to survive in an unknown world full of new creatures, unexpected visitors, and new danger.
The first volume of the four-part series will be available in October 2018 online and in retail stores, with the subsequent volumes throughout 2019. A preview of Volume One recounting a mission featuring Penny is now available at https://bit.ly/2LgV9dA.
Fans attending Comic-Con International: San Diego are invited to get a sneak peek at LOST IN SPACE: COUNTDOWN TO DANGER at the Legendary Comics panel on Friday night featuring “Lost in Space” comic scribe Richard Dinnick, as well as participate in other “Lost in Space” activities happening throughout the weekend.
Join Legendary Comics & Legendary Television at Comic-Con International: San Diego:
Legendary Comics, 2018 and Beyond Panel
Friday, July 20 from 6:00pm – 7:00pm
Legendary Comics’ Robert Napton will be joined by a cast of special guests, who will share secrets about their upcoming comic releases, including the just-announced LOST IN SPACE: COUNTDOWN TO DANGER, the comic continuation of the hit television series; John Barrowman, Carole Barrowman and Erika Lewis’ original series ACURSIAN; Richard Dinnick’s new series ROB; Jessica Chabot and Erika Lewis’ FIREBRAND season two; the latest on MONSTERVERSE; and a few more surprises!
Legendary Television’s “Robo Romance”
Thursday, July 19 – Sunday, July 22 from 10:00am – 6:00pm daily
Location: Nerdist House at Sparks Gallery, 530 Sixth Ave.
Legendary Television, in partnership with Legendary Digital Network’s Nerdist, will present “Robo Romance,” a free-to-fans interactive photo installation with ROBOT—who, following season one, found itself at the center of a collective internet crush by series viewers. Participants can customize the setting of their photo meet up with “Robot,” including a special romantic background for enamored fans. Free “Lost in Space” giveaways will also be offered daily. Free and open to public.
Nerdist House: Ignacio Serricchio (“Don West”) Signing
Friday, July 20 at 5:00pm
Location: Nerdist House at Sparks Gallery, 530 Sixth Ave. Free and open to public.
Nerdist House: Live Interview with Matt Sazama and Burk Sharpless (Writers/Executive Producers)
Saturday, July 21 at 2:15pm
Location: Nerdist House at Sparks Gallery, 530 Sixth Ave. Free and open to public.
Legendary Television is currently in pre-production on the second season of “Lost in Space,” the Netflix Original series based on Irwin Allen’s classic 1960’s science fiction series starring Molly Parker (“House of Cards”), Toby Stephens (“Black Sails”) and Parker Posey (Café Society). In this modern update, the science fiction show follows the Robinson family as they fight against all odds to survive after crash landing on an alien planet and finding themselves surrounded by hidden dangers.
Joy Ride Is An Extremely Raunchy And Hilarious Comedy
Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.
The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.
I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.
Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?
Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.
The Last Voyage of the Demeter: Double-knock on wood!
Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!