Announcing Amazon Prime Video’s lineup for Comic-Con International in San Diego, featuring the Amazon Original Series The Tick and kids series Danger & Eggs and Niko and the Sword of Light.
In addition to cast and creator panels, autograph signings and sneak peeks at all three series (complete schedule below), Amazon is creating an immersive Tick experience for Con attendees.
“Citizens” will have the opportunity to immerse themselves in world of The Tick at Amazon Prime Video’s Tick Takeover, a movie set level design experience positioned directly across from the San Diego Convention Center on MLK Promenade (on the corner of 1st and J streets). With fully built out buildings from “The City,” a twenty-foot tall animatronic Tick head, and “Easter eggs” harkening back to the show, The Tick Takeover is poised to give fans the journey of a lifetime. Additional details include a unique queueing experience, challenge-based scavenger hunt and the Amazon Prime Member Lounge.
In addition to the activation, Con attendees will be able to call upon the #TeamTick street team for help when they are in a bind. Need help with that selfie? Have a painful blister? Have no fear… Team Tick is here! In true Tick form, Team Tick will be taking to the streets of San Diego helping the helpless and defending the defenseless. Citizens seeking assistance from the street team need only flag down a member of Team Tick, adorned with blue antenna, to get help.
Amazon Prime Video Comic-Con Schedule
– Amazon Prime Presents: The Tick Takeover
Thursday, July 20: 9:00am – 6:00pm
Friday, July 21: 9:00am – 6:00pm
Saturday, July 22: 9:00am – 6:00pm
Sunday, July 23: 9:00am – 5:00pm
MLK Promenade (corner of 1st and J streets).
– The Tick Autograph Signing
(limited signing – drawing for line tickets to be held Friday 9:00am – 10:00am in the autograph area)
Friday, July 21, 3:00pm – 4:00pm
San Diego Convention Center, Sails Pavilion Booth AA07
– The Tick Panel
Friday, July 21, 4:45pm – 5:45pm
San Diego Convention Center, Room 6A
Moderator: Ralph Garman
Panelists: Executive Producer Barry Josephson, David Fury, Executive Producer Ben Edlund, cast members Peter Serafinowicz, Griffin Newman, Jackie Earle Haley, Valorie Curry, Yara Martinez, Brendan Hines, Scott Speiser and Michael Cerveris
Panelists subject to change
– Danger & Eggs Panel
Sunday, July 23, 1:00pm – 2:00pm
San Diego Convention Center, Room 24ABC
Moderator: Chris Hardwick (Executive Producer)
Panelists: Creator and Executive Producer Shadi Petosky, Creator and Executive Producer Mike Owens, cast members Aidy Bryant, Eric Knobel, Jasika Nicole, Charlyne Yi and Stephanie Beatriz
Panelists subject to change
– Niko and the Sword of Light Panel
Sunday, July 23, 2:00pm – 3:00pm
San Diego Convention Center, Room 24ABC
Moderator: Tom Kenny
Panelists: Executive Producer Rob Hoegee, Executive Producer Jim Bryson, Executive Producer Bobby Chiu, cast members Kari Wahlgren, Dee Bradley Baker and Jim Cummings
– Danger & Eggs and Niko and the Sword of Light Autograph Signing
limited signing – drawing for line tickets to be held Sunday 9:00am – 10:00am in the autograph area)
Sunday, July 23, 3:00pm – 4:00pm
San Diego Convention Center, Sails Pavilion Booth AA05
The Tick, a new Amazon Original, centers on an underdog accountant, Arthur Everest, with zero powers who comes to realize his city is owned by a global super villain long-thought dead. As he struggles to uncover this conspiracy, he falls in league with a strange blue superhero…The Tick! Join cast members Peter Serafinowicz (Guardians of the Galaxy, Parks and Recreation), Griffin Newman (Search Party), Jackie Earle Haley (Preacher), Valorie Curry (The Following), Yara Martinez (Jane the Virgin, True Detective), Brendan Hines (Suits, Scorpion), Scott Speiser (The Young and the Restless), Michael Cerveris (The Good Wife), and moderator Ralph Garman (Kevin and Bean Morning Show, Family Guy), and executive producers Ben Edlund (the creator of The Tick), Barry Josephson (Bones), and David Fury (Buffy the Vampire Slayer) for an exclusive world premiere screening of the second episode of The Tick followed by an audience Q&A. The Tick premieres on August 25 on Amazon Prime Video. The series is a co-production with Sony Pictures Television.
Danger & Eggs
Danger & Eggs, a new Amazon Original for kids, follows the endless adventures of a fearless, teal-haired girl named D.D. Danger (Aidy Bryant) and her ever cautious best friend, a giant talking egg named Phillip (Eric Knobel). D.D. is always chasing her next big thrill and luckily for her, Phillip is always there by her side with jerry-rigged safety mechanisms to make her thrill-seeking dreams come true. Join moderator Chris Hardwick (Talking Dead, @midnight) as he talks with the show’s voice talent Aidy Bryant (Saturday Night Live) and Eric Knobel (Huge Theater), along with guest voice talent Charlyne Yi (Knocked Up), Jasika Nicole (Fringe), Stephanie Beatriz (Brooklyn Nine-Nine) and the show’s creators Shadi Petosky (Yo Gabba Gabba!, Mad) and Mike Owens (Yo Gabba Gabba!, Animaniacs), for a screening of an episode of Danger & Eggs and an audience Q&A. Danger & Eggs is available to stream now on Amazon Prime Video.
Niko and the Sword of Light
Niko and the Sword of Light is based on the motion graphic comic by Imaginism Studios, Inc., the studio behind character and concept designs for Tim Burton’s Alice in Wonderland and Men in Black 3, and Studio NX (The Carrot and Rabbit Show, Tree Fu Tom). Executive produced by Rob Hoegee (Generator Rex, League of Super Evil, Storm Hawks, Teen Titans) and animated by Titmouse (Motorcity, Metalocalpyse, Turbo FAST, Randy Cunningham: 9th Grade Ninja), Niko and the Sword of Light follows ten-year-old Niko who is the last of his kind in a strange, fantastical world. He must embark on an epic quest to defeat the darkness and bring the light back to his land. Armed with his magic sword, brave Niko journeys to the Cursed Volcano, making new friends and powerful foes along the way, all while uncovering secrets about his mysterious past. Moderated by Tom Kenny (SpongeBob SquarePants), join the show’s additional voice talent Kari Wahlgren (Kung Fu Panda: Legends of Awesomeness), Dee Bradley Baker (American Dad!) and Jim Cummings (Shrek), along with Rob Hoegee, Imaginism’s Bobby Chiu, and Studio NX’s Jim Bryson for a sneak peek and an audience Q&A.
Midnight Mass: The Blood of Life
The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God.
Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes.
Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God.
We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant.
Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed.
Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus.
Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship.
Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care.
The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love.
Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls.
Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now!
Saw X: It ain’t brain surgery!
Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer!
First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive!
So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance.
Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth.
The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge!
First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer.
A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now!
Scott Pilgrim Takes Off
“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.
The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.
The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.
The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.
“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.