For the 17th year, the Tribeca Film Festival, presented by AT&T, will bring creators, diverse audiences, and the industry together in New York City during the annual storytelling festival running April 18-29, 2018.
As part of a new multi-year collaboration, creators will be able to submit their feature and short films to the 2018 festival through Withoutabox, the online festival submission system favored by filmmakers for its ease of use and streamlined process. This new relationship with Withoutabox continues Tribeca’s ongoing mission to empower storytellers with the opportunities and tools to bring their stories to life.
The 2018 Festival is set to build on the momentum from last year’s edition, which not only saw record setting attendance numbers from recent years, but also the highest percentage of film sales to distributors. The 2017 line-up made major cultural headlines from reunions like The Godfather and Reservoir Dogs; to Tribeca Immersive’s critically acclaimed Virtual Arcade and Storyscapes programming, which showcased the latest in VR and installations that explored the intersection of storytelling and technology; to the N.O.W. (New Online Work) section’s showcase of digital storytellers. For the second year, the Tribeca X Award celebrated the best in branded storytelling from artist-brand collaborations. Tribeca Talks®’ Directors Series and Storytellers brought luminaries such as Barbra Streisand, Alejandro González Iñárritu, Bruce Springsteen, and Tom Hanks together for once-in-a-lifetime conversations. Tribeca TV world premiered new series including Emmy® nominees The Handmaid’s Tale and Genius, in addition to introducing audiences to new shows such as The Sinner and debuting the latest seasons of fan favorites like Unbreakable Kimmy Schmidt. The inaugural Tribeca Games Festival premiered to sold-out crowds with the first-ever crowd play of Marvel’s Guardians of the Galaxy: The Telltale Series, Episode 1, a concert with British electronic producer and multi-instrumentalist Mura Masa, and keynotes with some of the top game creators, including legendary creator Hideo Kojima.
“Following a banner year that saw record high submissions across all of our festival programs, it’s clear there is more exciting work being created in more different ways and on more different platforms than ever before,” said Tribeca Director of Programming Cara Cusumano. “Withoutabox is the perfect partner to help further our film submissions and we eagerly look forward to seeing what our endlessly surprising creators bring us in 2018.”
“Withoutabox is home to the top filmmakers and film festivals in the world, and our mission is to provide filmmakers with unparalleled opportunities to share their projects with a global audience,” said Matt Kumin, Head of Withoutabox, IMDbPro and Box Office Mojo. “The Tribeca Film Festival is one of the most important festivals in the world and we are thrilled they have selected Withoutabox to be their exclusive third party film submissions service beginning with the highly anticipated 2018 film festival.”
Submissions will open September 5 for all sections of the Festival – feature and short films, TV, Immersive, N.O.W. (New Online Work) and the Tribeca X Award. Filmmakers can submit a film for consideration via Withoutabox at https://www.withoutabox.com/tribeca and VR, episodic, online storytelling, and branded storytelling can be submitted directly to www.tribecafilm.com.
Deadlines to submit U.S. and projects for the 2018 Tribeca Film Festival are as follows:
- September 5, 2017 – SUBMISSIONS OPEN
- October 18, 2017 – EARLY ENTRY DEADLINE for feature and short films, Tribeca TV, Tribeca Immersive, N.O.W. (New Online Work)
- November 22, 2017 – OFFICIAL ENTRY DEADLINE A for feature films, Tribeca TV, Tribeca Immersive, N.O.W.
- December 1, 2017 – OFFICIAL ENTRY DEADLINE B for short films
- December 13, 2017
- EARLY ENTRY DEADLINE for Tribeca X Award
- LATE ENTRY DEADLINE for feature films, TV, Immersive, N.O.W.
- January 12, 2018 – OFFICIAL ENTRY DEADLINE for Tribeca X Award
- February 14, 2018 – LATE ENTRY DEADLINE for Tribeca X Award
Submission rules, regulations, and complete information regarding eligibility for the 2018 Tribeca Film Festival are now available at https://tribecafilm.com/festival/submissions. Questions regarding submissions may be directed to firstname.lastname@example.org or by calling 212.941.2305
The Festival is curated by the programming team including Director of Programming Cara Cusumano, Artistic Director Frederic Boyer; VP of Shorts Sharon Badal; Liza Domnitz (features, TV, and online work); Loren Hammonds (virtual reality and features); Ian Hollander (features); Ben Thompson (shorts); Mara Webster (talks), and Ingrid Kopp (Storyscapes), program advisors Paula Weinstein and Tammie Rosen, and a team of associate programmers.
Joy Ride Is An Extremely Raunchy And Hilarious Comedy
Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.
The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.
I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.
Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?
Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.
The Last Voyage of the Demeter: Double-knock on wood!
Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!